RECENTLY:

For Wired, “Survivors Suffer When Judges Misunderstand Social Media”
For Pitchfork, “Alvvays Enter Their Epiphany Era”
For Elle Canada, “Ladan Hussein Comes Into the Light”
For The Cut, “Treat Stealthing Like the Crime That It Is Already”
For The Guardian, “Karaoke Diehards Returned to the Spotlight — But is it Time to Reassess as Delta Spreads?”
For Elle, “How Quarantine Broke the Fitness Industrial Complex”
For The New York Times, “Sending Flowers During Covid, For Many Reasons”
For The Walrus, “The Fault, Dear Reader, is Not in Our Stars”
For The Cut, “Sleeping Around in a Pandemic”

SELECTED:
MUSIC AND ARTS
For Pitchfork, “Alvvays Enter Their Epiphany Era”
For Elle Canada, “Ladan Hussein Comes Into the Light”
For The Walrus, “A New Sound for Inuit Music” (short profile of electropop-throat singer Riit)
For The Globe and Mail, “How Do You Make a Film That Women Want to See, and Not What Men Think They Want to See?” (on Canadian production company Babe Nation)
For The Globe and Mail, “White Lie Producer Karen Harnisch on Chanelling Her Emotions into Film”
For The Globe and Mail, “Sarah McLachlan is Here to Spread Joy”
For The Globe and Mail, “Keep Calm and Drone On: Kristel Jax Creates a Safe Space”
For NOW Magazine, "How Safe is Toronto's Music Scene?" (June 7 cover story)
For The Globe and Mail, "The Worse Things Get For Neko Case, the More She Prevails" 
For The Globe and Mail, "The ‘Excitement and Dread’ of Alice Glass"
For The Globe and Mail, "Twenty-Five Years Later, Liz Phair Reflects on Life After Exile in Guyville"
For The Globe and Mail, "Preoccupations Move Forward After 'Four Guys From Calgary Chose a Really Bad Band Name'"
For The Globe and Mail, "The Lovingly Insensitive Jann Arden"
For The Globe and Mail, on Rhye and the male tradition of using naked female imagery as a surrogate for emotion
For The Globe and Mail, "Frigs Are Ready To Move On From Toronto's Seattle Moment"
For Maclean's, "How an Exhibit of Protest Art Wound Up Sparking a Protest of its Own"
For The Walrus, "The Radical Notion of Safe Spaces in Music"
For The Globe and Mail, "Cold Specks is Just Warming Up"
For Vulture/New York Magazine, "What Happens When Backstreet Boys Become Backstreet Men?"
For The Globe and Mail, a look at the interior tumultuousness of the Polaris Music Prize jury 
For The Globe and Mail, “The ‘Feminine Force’ of Emily Haines” 
For The Globe and Mail, “Austra Confronts Uncertainty on New Album Future Politics”
For The Globe and Mail, “Tanya Tagaq Finds Inner Peace on New Album Retribution”
For Interview Magazine, an interview with Sean Nicholas Savage
For The Globe and Mail, a review of One More Time With Feeling, a film about Nick Cave
For The Globe and Mail, “Music Festivals Have a Serious Problem: They Don’t Book Enough Female Acts”
For Interview Magazine, an interview with Sophie Beem
For Interview Magazine, an interview with Zachary Cole Smith of DIIV
For Complex, a profile of Hinds
For Interview Magazine, an interview with Børns
For the Toronto Star, an interview with Peaches
For the National Post, “Dig Me Out” (on the return of Sleater-Kinney)
For The Walrus, “Much Ado About Music”

OPINION
For The Globe and Mail, “We’re Ignoring One Question, Around Men Accused of Sexual Misconduct: What Could Justice Actually Feel Like?”
For The Globe and Mail, "Instead of Fixating on Celebrities, Talk to Your Friends About Sexual Misconduct"
For the National Post, “Why We Need Public Shaming”

#METOO (AND PRECEDING SUBJECT MATTER)
For Wired, “Survivors Suffer When Judges Misunderstand Social Media”
For The Cut, “Treat Stealthing Like the Crime That It Is Already”
For TVO, “Juno Fest is Here. What are Music Venues Doing to Crack Down on Sexual Misconduct?”
For Maclean’s, “Will This Be The Year That Men Finally Start Listening?”
For The Globe and Mail, "Can Boxing Be a Balm For Survivors of Violence?"
For The Globe and Mail, "Program to Combat Sexual Harassment in Music Venues Sees Little Pickup Ahead of Junos"
For The Literary Review of Canada, "The Empathy Paradox: What #MeToo Misses"
For The Globe and Mail, "How Survivors of Sexual Assault Find Pleasure in Sex Again"
For Maclean’s, “In a Story of Survival, a Different Way to Understand Domestic Abuse”
For The Globe and Mail, “Toronto Groups Look to Combat Sexual Harassment, Violence in City’s Nightlife Scene”
For Maclean’s, “Naming Names on the Virtual Bathroom Wall”
For The Walrus, "The Year of Complicity”
For Vice, “Inside the CBC’s Sexual Harassment Problems”
For Maisonneuve, “Jian Ghomeshi’s Poison Pen

STYLE
For Fashion, “The Venomous Feminist T-shirts That Go Way Beyond ‘The Future is Female’”
For Fashion, “Meet the Toronto Bus Driver Who Loves Nail Art”
For The Fader, "How Plus-Size Women Are Constructing a New Normal"
For The Globe and Mail, "So Long To a True Style Original: WORN Fashion Journal Calls it Quits"

BOOKS
For The Globe and Mail, a Q&A with author Mona Awad
For The Globe and Mail, “Whatever Gets You Through Gives Perspectives on the Aftermath of Sexual Assault We Rarely Hear”
For The Globe and Mail, “Wattpad Has Already Disrupted Digital Publishing. Now it’s Printing Books”
For The Globe and Mail, “Read 150-plus Books a Year? Voracious ‘Super-Readers’ Share Their Secrets”
For The Globe and Mail, a review of Eileen Myles' Afterglow
For Hazlitt, "People Like To Watch Feminism As a Spectacle: An Interview with Lauren McKeon"
For The Globe and Mail, a review of Roxane Gay's Hunger 
For The Globe and Mail, “Chimamanda Ngozi Adichie, Jessa Crispin, Camille Paglia and Rebecca Solnit Explore the State of Modern Feminism”
For The Globe and Mail, a review of Lisa Wade’s American Hookup and Carrie Jenkins’s What Love Is
For The Globe and Mail, a review of Cat Marnell's How To Murder Your Life 
For The Globe and Mail, a review of Denise Donlon's Fearless As Possible 
For The Globe and Mail, a review of Carmen Aguirre's Mexican Hooker # 1
For The Globe and Mail, a review of Olivia Laing's The Lonely City 
For The Globe and Mail, a review of Kate Bolick's Spinster
For the National Post, a review of Kim Gordon's Girl in a Band
For The Globe and Mail, a review of Cathie Borrie's The Long Hello 
For the National Post, a review of Bruce McCulloch's Let's Start a Riot
For The Globe and Mail, a review of Rob Sheffield's Turn Around Bright Eyes s

MISCELLANEOUS
For The New York Times, “Sending Flowers During Covid, For Many Reasons”
For The Walrus, “The Fault, Dear Reader, is Not in Our Stars”
For The Cut, “Sleeping Around in a Pandemic”
For The Globe and Mail, “Thanks to Vegans, My Vegetarianism Has Become a Source of Shame”
For The Globe and Mail, “Thinking Outside the Keg”
For Maclean’s, “Sisterhood to Lena Dunham, Tina Fey & Co: Shut Up!”
For The Walrus, “Rookie’s Intuition”
For The Atlantic, “In Brooklyn, a Punk Church Tries to Redefine Religious Faith” 
For The Walrus, “Boys: The Trouble With Female Celebrity Profiles and the Men Who Write Them”
For Maisonneuve, “Single White Females”